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Pre- and post-choruses were a little less aggressive this year, even while variations on these chorus-abutting sections saw an increase. Interestingly, only “The Middle” dispensed with any intro material this year, and only Eminem’s “Killshot” got into the Top 5 without any chorus or refrain material, but I mean, he did say right at the start of the song that he wasn’t gonna repeat himself, so there you have it. (And yes, I said “chorus-abutting sections” back there, and yes, I had Morgan Freeman’s voice in my head when I said it … “chorus-abutting sections.“)

So, as much as I love the concept and the cute album covers, I came, I tried, and I left these doggy playlists behind. It’s back to The Gaslight Anthem on repeat for us.

We’ll return to the story of its eventual completion later, noting that at the time of his death Berg had already completed all the thematic compositional material for the opera. Lulu is famous for pushing the strictures of serialism to their limits. Serialism is one of the most important musical movements of the 20th century, and in brief it treats all 12 notes of the chromatic scale as possessing equal value and forbids any regression back to conventional tonality.

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Our mentors can give you feedback in all three areas on a weekly basis during the program. They might offer a new perspective on your song based on your intentions, or give you honest feedback about where a piece falls short based on the expectations of the field, if that’s part of your goal. This can help you hone in on where to focus your efforts to make the most progress.

I’m not sure if it’s interesting or anti-interesting that our meter chart matches almost exactly with last year’s, at thirty-seven 4/4s, two 12/8s, and instead of the uncommon gatling gun 24/16, we found a somewhat-rare-in-its-own-right 2/4 meter.

The answers lie in the way that melody takes words and frames them in a different time and space. Melody can change the amount of time we spend on certain words (rhythm) lengthening or shortening the length of notes or space — by changing the pitch between words (intervals), up or down. This is what makes song so different from speech. And yet, there are parallels you can take advantage of.

Avoid this by following the 3:1 rule, which stipulates that the distance between multiple mics should be at least three times the distance between the close mic and the source. For example, if you have a close mic 8″ from the sound hole of your acoustic guitar, your ambient mic should be at least 24″ away from the other mic, or the same sound source. The big change in amplitude between the two signals will mitigate the comb filtering, and you can accentuate this by angling the mics in different directions (provided it sounds good).

If you’re often writing or producing music alone, it can be really easy to lose perspective. Having a sounding board who is more experienced than you in a specific area can help you develop confidence in your artistic choices and build momentum for your musical journey. This is an essential part of your relationship with Soundfly and with your mentor — having someone in your corner who can help you develop the confidence to push yourself further than you thought you could go.

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Sometimes days seem to move just like a big fat man         A

+ Learn more on Soundfly: Want to learn more about how streaming and sales royalties work and how to get the money you deserve? Check out our free course, How to Get All the Royalties You Never Knew Existed, and read up on the differences between getting paid as an “Artist” versus a “Songwriter” here.

I was met with a lot of pushback and resistance when I first started Muru. People didn’t really identify with the problem as it was somewhat technical and they thought I was trying to compete with streaming services by building a playlist tool. The word “crazy” was thrown around a few times, but once I got validation from a few investors and industry experts, the conversation changed, and those in my network were happy to start making introductions to the right people. I’m forever grateful for the first investors that took a leap of faith in Muru before I was able to prove that the tech worked.

Whatever state the track is in, what will take it to the next level? If it’s a complete mess, what steps might begin to pull it together? If it’s a good idea that’s poorly executed, how could it be smoothed out? If it’s a promising fragment, how could it be developed into a full thought? If it’s a complete and polished track, could it have lyrics, or another section, or an alternative arrangement?

Electric guitars are a bit more complicated. There are more parts involved when recording this instrument, such as the amplifier, the speaker cabinet, and any effects pedals — all in addition to the guitar, itself. Because of this, we’re going to focus mainly on recording electric guitars for this article.