If that wasn’t enough, Ithaca is also home to 73 Records, a youth-run label that releases music by kids and young adults — mainly still in high school. It’s a community that supports musicians (full stop).
One of Sırma’s early musical experiences involved placing 3rd at a professional jazz singing contest at 18, after which she was invited to represent Turkey in the World Choir for the 2010 World Cup song “Oh Africa.” For the recording session and the music video shoot, Sırma had to interrupt her first semester at Berklee for a week and fly to LA to work with Akon and Keri Hilson. Fresh out of high school and immediately faced with a packed schedule, she then understood the true meaning of being a professional musician today: always being prepared to seize any and every opportunity.
Now, here is a project the world desperately needs! Vinyltryk is a record-pressing plant in Denmark, servicing both local and international artists and labels with everything from long runs to custom, limited-edition pressings.
80 hip hop groups
Her project is cleverly structured using Indiegogo’s flexible funding feature. As long as she reaches any of four monetary milestones, she’ll be able to complete her project. Well done!
Lyrically, the verse “back ends” coalesce in a cool way, using similar lines and then the same lines — which you could call lazy, but I don’t think you should be smarmy about anything in pop that you don’t see too often. Good going, whichever one of you five Maroony guys crafted this cool little “words-zipper.” My money’s on the tall Gump-cut guy, he seems like he’s going places — he must be a solid dude for all these women to let him sing in their video.
The form here is seemingly as sparse as the accompaniment, and it’s just about the most “organic” thing I’ve seen so far in this study. After eight bars of verse, he introduces what will be the refrain lines (you really can’t call it a chorus because it’s only two lines over four bars). But then there’s a big stretch of verse at a non-standard, “just-feeling-it-that way” 36 bars, and then, just cutting this dough with his fingernails (as in, no pre-made cookie-cutter shapes), Drake gives us six bars of the “my head is spinning” sample, followed by, for some reason, only one of the refrain lines? Then there’s eight more bars of the sample and, following that, a mammoth verse section weighing in at 56 bars. To close it out, we get that refrain/sample combo again, but this time it’s punctuated with the first refrain line, and then the next line. Pretty innovative organization.
“Perfect”: The pre-chorus section here does something fun, changing up about half the lyrics to make it kind of like a pre-chorus/verse hybrid type thing. I can’t remember when I’ve seen that before, at least not to this degree of lyrical tinkering.
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Exhibition catalogue grants
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It’s also important to show vulnerability. We all have things we’re dealing with. And if you can open up to your fans about something and show a little genuine vulnerability, you’ll find yourself building a much deeper connection with them.
Once hip-hop artists started making money, they were met by an influx of copyright suits. Such harsh court decisions and the constant threat of legal suits inhibited the creativity of hip-hop artists. This case reflects the legal reaction to hip-hop: in the eyes of the court, hip-hop and sampling were not art, but pure theft. Courts labeled samplers criminals, and the art form itself was forced to change.
If you’re a jazz musician you’re also probably transporting your equipment to a ton of gigs, so getting something portable is a good idea. Here are some of my favorite choices for playing jazz:
According to Hughes, “The remaining notes, on the next rung down, are all of the notes left in the key of C major that are not C, E, or G. So that would be D, F, A, and B.” These are the diatonic notes that produce other chords in need of resolving back to the root.