I dial the threshold to where I’m only getting about 1-3 dBs of gain reduction on the peaks of the audio. I tend to keep it on the lower side of 1-2 dBs of gain reduction. You just want to kiss the needle. You don’t want to have to much mix buss compression happening. Remember, we are going for a subtle, “glue-like” effect.
Old clothes, accessories, furniture, and junk can be fascinatingly different from city to city. Scouring the local Goodwills or thrift shops is super entertaining, affordable, and fun. Plus it’s a great way to add to your show wardrobe.
“Look Alive”: Aaand we’ve got more Drake. Aaand we’ve also got another somewhat subjective tonality. What we’ve got is three intervals, A and E (an A5 chord), A and D (D5/A), and B♭ and D (B♭ no fifth), and a bass line that adds an F in there (for a♭VI chord, arguably). There’s also no singing to help us establish tonality, and so I first heard it in D minor, but after repeated listening, I realized it was just my brain filling in gaps to meet my tonal bias. It would actually be truer to classify this as A Phrygian because with the A F D B♭ bass line, and without any concrete triads, it’s best to leave it up to the musical scale that matches the sound, and the Phrygian scale here clicks better than anything else.
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While not the first television performance by the Liverpool four-piece, the Beatles’ first US television appearance on The Ed Sullivan Show has been shown in classrooms, presentations, and to children by fan parents ever since it happened all those years ago.
With overwhelmingly positive results, we’re happy to share a few testimonials of Soundfly’s Orchestration For Strings course directly from our students.
Comparing yourself to other singers is a recipe for disaster. The trick to cementing your confidence is by finding your niche — working to discover that thing that makes your singing completely unique. Whether it is that you can belt like a demon, hold a note for two minutes, have a sexy glottal growl, a husky sultry tone, a perfectly seamless vibrato… Whatever it is, it’s your task to identify it, master it, and exploit it!
Yesterday, we launched a new version of the app, the Theory aQWERTYon. It visualizes the notes you’re playing on the chromatic circle in real time. Click the image to try it! (Be sure to whitelist it on your ad blocker or it won’t work.)
Me: I’m a songwriter, and I also blog and teach private music lessons.
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One of the questions I get asked most frequently as a professional songwriter is: “How do you stay inspired when writing every day?” And it’s a valid question — one with multiple answers!
We here at Soundfly always recommend that you read as much as you can about your craft. There’s no reason to stop learning, stop improving, or stop seeking better, more efficient, and more creative ways to make musical work. So without further ado, here are five essential recommendations for the mixing engineer’s bookshelf.
“ZEZE”: Since there’s no F or F♭ anywhere, we could analyze this in E♭ minor or A♭ minor. Sticking an F in there sounds better to me, but we don’t know for sure which mode it’s in. And wait, this electro-pan-pipe, sweepy vox effect everyone’s been using on the hype-shouts this year — has this been around a while, or is it new? Asking for a friend.
“THERE IS A PHRASE about two minutes from the end of J. S. Bach’s famous Chaconne for solo violin that, if you are in the right mood or are hearing the right performer, can suddenly sound like a shriek or a growl or a moan…. What it really is, in official violinist’s terms, is bariolage: the rapid repetition of one note against which another line rises or falls. In this case the violinist obsessively saws on one pitch while the main melody strains to climb beyond it, bulging and sinking and then repeating the effort.”
The nearly 11-minute version of “Lost Someone” is a high point; Brown demonstrates his ability to ensconce his sexuality in a preacher’s cloak. Throughout this song, it feels like he’s beseeching the audience to believe in a higher power. Judging by the screams of the audience, I’d say he converted all of them. This style of performance would later go on to be emulated by other larger-than-life performers such as Prince or Bruce Springsteen.