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To really understand why, let’s look at one song where the verse and chorus really do act differently and serve different functions, and look at how they interact with each other; let’s take a look at “I Wanna Dance With Somebody” by late great Whitney Houston.

If you have some additional tips or would like to be kept accountable by sharing your musical resolutions with the world, feel free to comment on this article. Good luck and happy new year!

Writing lyrics is a form of storytelling, and writing “good” lyrics is a lifelong pursuit. Your personal catalog of themes, styles, references, and influences will continue to develop throughout your whole life and career. Lyrics are similar to poetry, but are intended to be sung rather than spoken or read. Because of this, we can learn not just from other lyricists, but also from writers and poets.

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With social media promotion becoming trickier and harder to do for free, band websites are more important now than ever. From selling merch with no middleman to promoting a new release and upping your SEO game, personalized music websites are crucial in helping get the job done right. But how exactly do you “personalize” a website? Social media platforms are great for promotion because they’re so easy to use, but websites are much tricker to customize and update.

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John Belushi struck up a relationship with Fear after becoming a quick fan seeing them on another TV show and commissioned them to write a song for the movie Neighbors. The band, however, wrote the song for Belushi himself to sing, which he recorded reluctantly. The movie’s producers refused to use it, but Belushi still wanted to do right by Fear, so he booked them on Saturday Night Live as the musical guest for the Halloween Special in 1981.

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A common distortion pedal for shoegaze is the fuzz, and there’s almost none more famous than the Big Muff Pi. It’s famous for a reason. It creates a high quality, juicy, fat sounding distortion for a comparatively low price and is sought after for its sustain as well. The Big Muff is really quite perfect for creating those colorful walls of noise, but there’s such a huge range of overdrive and distortion pedals out there, you really need to find what fits your personal taste.

A great soundproofing technique my bandmate leverages is to use two separate rooms for recording. One room contains the microphones and the source of the music, and the other room contains the recording gear (and thus any noise the computer or tape machines may themselves create).

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But there’s more to it than just nostalgia. While audiophile cork-sniffers shout out the virtues of vinyl or lossless FLAC from their rooftops, the humble 128 kbps MP3 is the true MVP of music mediums, the black sheep diamond in the rough with more than swagger and noise floor to go around. Here’s why.