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It’s also a good idea to think about the role 808s typically fill in your sub-genre. In trap music, they function as the bass line following the kick. In some other sub-genres, like reggaeton, they might just be used for one hit to create a massive downbeat at the start of the cycle.
“Stefano and I focused in on a couple things: the sound design of his digital strings, achieving simplicity and dynamism in the arrangement, and drawing out emotions through the piece. Stefano worked in the DAW rather than through notation, and so we played with realism by leaving the grid behind and allowing individual instruments to shine through. We also worked on simplifying elements of the arrangements, particularly the chordal and polyphonic textures, so that the main melodies felt clear and coherent.
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[AC]: “If you imagine you are participating in one of these experiments, you’ll get played a short melodic excerpt, say, a scale, then you get played a tone. And then you have to rate on a scale of 1-7 how well you think the tone fits with the music that was played before. Based on those ratings, you can order basically how well people think various tones fit in with the same context.”
Another extremely common and timeless technique to make your chorus shine is simply cutting the music out completely for half a measure or even an entire measure in some cases. Some of today’s electronic producers also prefer cutting out effects such as reverb and delay, to make that moment of silence even more dramatic, like you’re falling off a tiny cliff. This technique is especially fun to apply in situations where the chorus vocals start with pick-up notes from the previous measure.
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He’s a virtual reality pioneer, a software humanist, a former rock musician and student of classical music. No surprise that Koosha’s current experimental electronic music embraces paradoxes. It’s chaotic, but reveals deep compositional intent. It’s futuristic while feeling nostalgic. It’s kitsch as well as sincerely melancholic. Born in Tehran and now based in London, he courts a vaporwave aesthetic and is firmly in the sonic vanguard of ambient sound. He has a bunch of stuff up on Bandcamp and the latest Stamina is a good place to start.
That meant wading through lenders who asked for pay stubs and who freaked out when we didn’t have any, or even banks who weren’t interested in working with us at all. We did finally find a lender that was open minded and willing to work with us. It just took a lot of time and patience, and the underwriting process was long.
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If you are still unsure if your mix is ready for mastering, send it to the mastering engineer and ask their opinion. Any professional engineer will be able to help you catch potential issues in your sound and give you advice on how to address them within your mix to ensure best possible final results for your mastered song.
It’s important to keep in mind that a lack of lyrics doesn’t mean that a piece is formless. Things are still frequently organized into typical sections of four, eight, 16, or 32 bars.
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If it’s really, really bad, you might have to worry about some of the comped-together vocal notes being out of tune — in which case, don’t be afraid to break out your favorite pitch-correction software like AutoTune or Melodyne to touch up any shaky notes. Depending on the genre, you may want to run the vocal through pitch-correction software anyway, as it provides a nice presence and sheen commonly found in high-end, radio-ready productions.