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The Arctic Monkeys’ video is highly engaging and memorable. The song is about a one-night stand, and while the video portrays the same concept, it’s framed in a new, creative way. The whole video involves one camera and two actors, and proves that an inexpensive music video can be a success with a truly well-considered, compelling story.

If you’re looking for an easy way to post show information in one place and have it show up all over the internet, look no further than Songkick’s Tourbox API feature. It functions through a widget that you can add to your website and across your social media accounts, as well as a mass automated updater that reaches Spotify, Shazam, Bandcamp, Pandora, Hype Machine, and loads of other sites. Fans with the Songkick app installed on their phones will receive notifications when you announce shows near their location.

Cyrus started the sexually (and psychedelically?) charged performance with her song “We Can’t Stop” and was joined onstage by Thicke to perform his song “Blurred Lines,” the video for which featured nude models walking around a studio. During this televised barrage of near-nude twerking and tongue-flashing, apparently a record-setting 306,000 tweets were being published every minute.

Americans for the arts

I love a site that not only goes all-in with their features but that shows you the view count of every article so you can really get a feel for what’s resonating and what people are listening to. The Word Is Bond does exactly that, with articles ranging as high up as over 500 views. They also do a round up of the Top 10 Submissions they receive each week, so as an up-and-coming artist you actually have a shot at getting your music heard, while as a fan you get a weekly list of 10 tracks you just have to check out.

If you can’t remember when you last turned it on, that’s a bad sign. If it’s more than a year since you last powered it up, even worse. If you’re not even occasionally using a piece of gear it can be hard to justify keeping it around. If you don’t know when you used it last, you probably won’t be using it again anytime soon. Let it go!

Making use of mass-loaded vinyl (MLV) is an easy way to reduce the amount of noise coming through floors, ceilings, and walls in your home studio. This material is made specifically for noise reduction, and cuts up to 30 dB of sound with only a single layer when applied properly. It comes in four-foot rolls that you can easily put on your walls or in your floors to help reduce the transfer of sound through these surfaces.

For this course, you really just need to know enough about mixing that you know you need to learn more. If you’ve ever struggled to communicate with a mix engineer in order to get the sound you’re looking for, or listened to your own tracks and been unable to pinpoint exactly what you need to do to improve your sound, this is the course for you.

Everyone knows that drinking water is the easiest way to stay hydrated. But did you know that drinking melon water is even better? Not only does it add some welcome flavor to your bland ol’ H2O, but adding chunks of watermelon, cantaloupe, and honeydew will actually hydrate your vocal cords and throat faster than plain water. The molecules of the melon are larger than those of water, and therefore stay in the vocal tract longer, resulting in higher levels of hydration!

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You don’t have to be a strict minimalist when it comes to gear. If you’re keeping something just because you like it, that’s no problem! At least you have a connection to it!

These ideas all might ring true in other area of life, but they don’t have to apply to your singing voice. Singing does not necessarily have to render you “open” and vulnerable to the listener. Try to disconnect from these notions. The best way to do so is to see your voice is an instrument, and your singing is a product of your creativity and skill. Your singing is not a reflection of your “soul” (so to speak).

We look at Ligeti’s famous composition in order to decide how much, or how little, the use of music’s foundational parameters really matter in composing.

The tritone is a mainstay interval of heavy, dissonant rock riffage. In a most classic example, Black Sabbath’s self-titled song “Black Sabbath” (off the self-titled record, Black Sabbath) hits us with this massively dissonant tritone as soon as the band enters at 0:36, first jumping an octave before descending a gnarly diminished fifth, aiming to invoke the unequivocal power of the devil. The first time features a fast trill on the guitar, with a cleaner example of the interval at 0:47.

Then, add a second compressor with slower attack and release times, and a lower ratio. Use this compressor to gently glue the performance together. Many engineers prefer the LA-2A for this job.