This international residency program is open to artists across many mediums for one- to three-month long residencies. Artists are given lodging and studio space on a remote island off the northeast coast of Newfoundland, as well as a weekly stipend for materials and day-to-day living. Be prepared to put on your public speaking hat though, as artists are required to give at least one presentation, performance, or workshop during their stay. Residencies open every two years.
Angela Mastrogiacomo is the founder of Muddy Paw PR, where her artists have seen placement on Alternative Press, Spotify, Noisey, Substream, and more, as well as the Director of Community and Events for Music Launch Co. Her free training ‘Reaching a Wider Audience Without Spending A Dime’ helps emerging artists cut through the noise and get in front of fans and industry influencers in just a few steps. She loves baked goods, a good book, and hanging with her dog Sawyer.
Bartolomeo Campagnoli was born in Cento in 1751. His was a life devoted to study and to the violin, which he quite seriously pursued wherever he found himself; first in Bologna, then Modena, then Venice, then Padua, then Florence, then Rome. In all these cities, he’d sit and play with local orchestras. In 1776, he was hired by a bishop to come and live in Bavaria, where he was to create and organize the music for his local church. From there, he really became a full-time touring violinist all over Europe.
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Open mics make lofty promises about what they’re able to offer songwriters of all levels. I’m here to tell you that they’re still a waste of your time.
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.
All these elements contribute to how engaging your podcast will be. In addition to these technical components, people like consistency when it comes to podcasts. The vast majority of listeners consume podcasts on their commute to work and likely have a routine and structure to their day. While spontaneity is great, consumers also want to know what they are expecting with each episode and how it might unfold. Write down several structures for your podcast and do research on other podcasts as to what you like and don’t like about them. Make it your own, but have a clear goal where you want to go with your content.
This autumn, we’re launching a brand new mentored online course teaching you how to get your home-recorded vocals sounding like the pros, check it out!
But sometimes your gear has to get out of the way to let you create. Buying something new might not be the answer if your gear collection is getting overwhelming. Before you give in to G.A.S. and add a new piece to your collection, find out if there’s something you could retire to decrease the clutter.
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So that’s why when the “Jello dries up,” so to speak, it makes it very difficult to make fast vibrations, thus resulting in the inability to hit higher notes, cracking, or the inability to produce any sound at all. Moral of the story: Hydrated vocal folds are happy vocal folds!
We all know that vinyl manufacturing these days is plagued by delays; it strikes me that if the artist or label needs to wait until a certain number of pre-orders is reached to start manufacturing, that’s just making an already lengthy process even longer.
Inspiration may strike like lightning, but just about as frequently, so go out and find your own stories, ideas, characters, and narratives in these blogs!
Since many styles of electronic music don’t include lyrics, it lends itself well to the endless development of an idea. Andrew Bayer’s “Counting the Points” is a beautiful example of this sort of repeated development of a theme or idea.
The last of our bunch today, Niccolò Piccinni was born in Bari in 1728. He lived a prolific life as a composer in his day, producing operas, symphonies, concertos and chamber music, although today his works are sadly, rarely performed. His operas in particular, of which he composed around eighty, were performed frequently in Rome and abroad in most major European cities.