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A great soundproofing technique my bandmate leverages is to use two separate rooms for recording. One room contains the microphones and the source of the music, and the other room contains the recording gear (and thus any noise the computer or tape machines may themselves create).

For most of the music I play, power chords usually do the trick. I make use of them almost exclusively when writing rhythm parts or exploring chord progression ideas because they’re simple, communicative, and easy to arrange around. Sometimes, though, you’ll want something that sounds a bit fuller and more epic.

Learn more about the Headliners Club program here or tell us about your musical goals so we can pair you with a Soundfly Mentor and get you started right away!

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Here are a few tips for upping your practicing game every day. But getting ready for a recording session requires doing things a little differently, so here are a few quick tips for how to make the most of your time in the studio:

Now that you’ve finished recording and your track sounds great, you’ll need to get a file version you can send around. To make a quick mp3 bounce of your song, click on File in the top left corner, then find Share and click on iTunes. Many platforms such as iTunes will compress the file in the process to fit their standards, so be mindful of that.

Mengyuan Xu is an electronic music artist from China who really leans into the musical aesthetic of traditional Chinese musical instrumentation. His heavy use of zithers and flutes gives his music a unique feel. I think it’s a really wonderful mix of old and new sounds to create something catchy and unique. A recent song of his, “Flame,” is more firmly rooted in the contemporary EDM pop sound, however it still has that Chinese opera influenced flavor that is undeniable.

Seriously — it’s so easy to think you know a song perfectly, but then suddenly you have to play it with headphones on and an annoying click in your ear and the whole thing falls apart. When you’re practicing, try to replicate the environment you’ll encounter at your recording studio as much as possible. It’ll help worlds when you actually get in there.

Soundfly partners with leading edge music education sites and services to bring you unique tips, tools, and stories to empower and inspire our community to find their sound.

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Right off the bat, I think I’ve found one of my new favorite composers ever. His music is simply stunning. Ildebrando Pizzetti was born in Parma in 1880 to the pianist, Odoardo Pizzetti. His father taught him to play piano at a young age; but Ildebrando’s first love was writing plays — he had two produced for the stage before he turned 15. His focus turned back to music and he decided to enter the Musical Conservatorium of Parma in 1895 to study music full-time with Giovanni Tebaldini.

At the end of your session, your mentor will reflect with you on all you’ve accomplished and will offer you thoughts on what to focus on next in the coming months and years to keep your progress going.

Radio City Music Hall is such an iconic example of a high-end, large-scale venue that most musicians drool over, but I think I’d have to say that the venue I’d most like to play anywhere is actually Red Rocks in Colorado—it just looks so breathtaking and like a place people really appreciate art and open themselves to the whole experience of the show.

Did you know Boulder is home to not one, not two, but three classical music orchestras, and hosts America’s most well-known classical musical festival, the Colorado Music Festival? Even if you’re a more Rock than Philharmonic, Boulder still has a scene for you.

This opens the doors for new subgenres, new communities, new sounds, and new movements to find their way around the world into the ears of new subscribers and listeners. It is time to shed our old assumptions of how things work and start taking advantage of how you work.